Cineaste on Film Criticism, Programming, and Preservation in the New MillenniumDigital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and
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Cineaste on Film Criticism, Programming, and Preservation in the New Millennium